A composition of different sized panels are mounted on the wall, and camouflaged with wall paint. When the space becomes quiet, black silhouettes of tiny figures slowly start to creep out from behind the panels. At first they only peep over the edge, but after a while they move further out, as if observing the viewer. A softer sound will make some of the figures disappear behind the edge of the panel while others retreat to peep position, and a louder sound will make all the figures go fully into hiding in a split second.
The figures move slightly differently from each other, according to a complex algorithm, creating a lifelike feel that echoes a primordial behavior mechanism usually triggered to evade danger — in humans as well as many animals. In this installation, the environment determines the life within it — a well-known principle of evolution — and alludes to highly sensitive and fragile phenomena that only reveal itself when a particular context emerges: in this case, silence.
The installation has been underway for about 10 years, during which period it has been rebuilt four times, each process further refining it. The work has previously been installed at The Astrup Fearnley Museum of Modern Art, Oslo, Norway, 2009; Nam June Paik Art Center, Seoul, South Korea, 2011; CAB – Centro De Arte Contemporaneo, Burgos, Spain, 2011; and the 4th Fukuoka Asian Art Triennial, Fukuoka, Japan, 2009.